Monday, May 08, 2006
AS WAS mentioned in the opinion column, there seems to be an amicable solution to the surge in oil prices. As an out of box solution to counter the inflation, we have to invest in the hydrocarbons stock and silently witness the cash register ringing.
There's some anticipation that the price could move up to US$ 100 per barrel. Economists have various theories of permutations and combinations for increase in oil price. For an ordinary man, the price increase is a key aspect of worry and frustration, as he has to spend more for deriving the same level of benefit.
- Yasmin Banu, Abu Dhabi
IT IS frustrating to note that a budding teenager Kaavya Viswanathan from the renowned University of Harvard has resorted to the act of plagiarism. More so because, the third generation of Indo-US citizens are making faster strides in the US by virtue of their discipline, decorum and perseverance and had deserved the accolades and respects of their counterparts across the Atlantic.
In respect of any piece of works from arts to architecture, from literature to music, it is natural that artists draw inspiration from previous works of the kind which they admire.
Modern day composers, however, to one step further and straightaway lift the tunes of other composers and rename them as a source of inspiration. Over the time, we had noticed that there’s a thin dividing line between inspiration and plagiarism. If a verisimilitude of the original works is produced, it cannot be considered as inspiration but termed as ‘plagiarism’.
— Yasmin Banu, Abu Dhabi
Sir, Indian film industry has lost one of its greatest composers, Naushad Ali (Naushad dies at 87, May 6). In the age of re-mixes, where songs wither as autumn leaves, his evergreen compositions from Mughal-E-Azam, Baiju Bawra, Kohinoor, Mother India, Dil Diya Dard Liya etc., are still resonating in our ears. He was the first composer to combine the flute and the clarinet, the sitar and the mandolin. In addition, he earned the rare distinction of introducing Hindustani classical music and singers to film music, as Bade Ghulam Ali Khan in Mughal-E-Azam and D.V. Paluskar in Baiju Bawra.
Yasmin Banu
Abu Dhabi, UAE
THE Indian film industry has lost one of the greatest composers of our times. A living legend, Naushad Ali breathed his last in the Nanavati hospital, Mumbai. In the age of re-mix ,where the repeat value of the song and the composer wither like leaves of the fall, his evergreen compositions from Mughal-e-Azam, Baiju Bawra, Kohinoor, Mother India, Dil Diya Dard Liya etc. still resonate in our ears.
Leaving his ancestral home for Mumbai to get a much-needed break as a composer in the films, he had the sobering experience of spending his life on the footpath. Success never eluded him due to his dexterity and love for music.
Finally with Baiju Bawra became a mammoth success and he never looked back. He was the first composer to combine the flute and the clarinet, the sitar and mandolin.
In addition, holding a rare distinction of introducing Hindustani classical music and singers to film music as Bade Ghulam Ali Khan in Mughal-e-Azam and D.V. Pulaskar in Baiju Bawra, he was inspired by the ragas.
- Yasmin Banu, Abu Dhabi
Sunday, May 07, 2006
Khaleej Times - May 2' 2006 - Kaavya and Plagiarism
Kaavya and plagiarism
2 May 2006
IT IS frustrating to note that a budding teenager Kaavya Viswanathan from the renowned University of Harvard has resorted to the act of plagiarism. More so because, the third generation of Indo-US citizens are making faster strides in the US by virtue of their discipline, decorum and perseverance and had deserved the accolades and respects of their counterparts across the Atlantic.
In respect of any piece of works from arts to architecture, from literature to music, it is natural that artists draw inspiration from previous works of the kind which they admire.
Modern day composers, however, to one step further and straightaway lift the tunes of other composers and rename them as a source of inspiration. Over the time, we had noticed that there’s a thin dividing line between inspiration and plagiarism. If a verisimilitude of the original works is produced, it cannot be considered as inspiration but termed as ‘plagiarism’.
— Yasmin Banu, Abu Dha
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Monday, May 01, 2006
Sir, It is frustrating to note that a budding teenager from a renowned university like Harvard has resorted to plagiarism (Publisher says no to apology by Kaavya, April 26). Third generation Indian-Americans are making great strides in the United States because of their intelligence, discipline, decorum and perseverance. And they deserve the respect of the country they live in. This is not the way that they should be hitting headlines. While it is true that to be influenced by a work of art, a story, a novel, a song, is a natural phenomenon, one must realise that there is a difference between "influence" and what is nothing but "lifting." Kaavya is a teenager, and has a long way to go. So it is sad that in pursuit of fame and money she has set such a bad example and brought shame to the Indian community based in the US.
Abu Dhabi, UAE
Wednesday, April 26, 2006
Yasmin Banu, Abu Dhabi
Tuesday, April 25, 2006
Sir, A wise man once said, "A healthy society is known by how it treats its less fortunate." Did the Union Budget take this thought into account (PC keeps status quo, March 1)? There is no question that for three successive years Indian economy has seen more than 7 per cent growth. It is also a fact that the Indian elite and the middle classes have made huge strides. But, lest we forget, India is essentially an agrarian economy. We still have millions of farmers who are completely dependent on the monsoons. Many parts of the country are yet to see proper irrigation systems. Though the money allocated for rural infrastructure development has increased significantly over the years, the allocated funds often fail to reach the grass roots and help the people who need that money the most. The developed countries have huge subsidies lined up for their farmers, and, therefore, their products are cheaper, whereas our farmers get a negligible subsidy and are unable to compete with outsiders. If India considers itself a growing economy at par with the developed economies, it cannot marginalise its rural population.
Yasmin Banu
Abu Dhabi, UAE
Ethical dwarf
Ethical dwarf - Asianage
Sir, Suhel Seth in his article Silliness is in fashion (April 3) forgot that we are living in an instant world. It is the world of instant food, instant drinks and instant success. The reverberations generated by a Fashion Week should not come as a surprise as the younger generation is all geared to catch the limelight. It was not long ago when one television channel was garnering votes for the retrial of Jessica Lal’s case to present it to the President; hardly 200,000 people voted. But another channel while airing a popular talent search contest got around five million votes. After all, in beauty pageants the contestants always claim Mother Teresa as their role model. Then they use these pageants as a launch pad for a lucrative career in films. We may have become a nuclear giant, but we have also become an ethical dwarf.
- Yasmin Banu Abu Dhabi, UAE
Wednesday, April 05, 2006
A Sacrilege
Abu Dhabi, UAE